Nice review of DIRTY STREETS “Rough and Tumble” via AMERICAN SONGWRITER

Fans of Free and Humble Pie back in the day, will find these slots perfectly into your collection. Include the Dirty Streets to a playlist of similar 70s acts and be prepared for friends to ask about this band they don’t recognize from 40 some years ago. That’s likely the biggest compliment anyone could pay Dirty Streets who churn out this blue-jeans, retro-tinged, unapologetically nasty rawk as if they invented it. – AMERICAN SONGWRITER HERE

9/10 review of The DIRTY STREETS “Rough and Tumble” via BLUES ROCK REVIEW

Great soulful vocals, a stellar rhythm duo, and a plethora of guitar tones only scratch the surface of why this album succeeds. In the end, the fact that the band recorded it live may become incidental. To call Rough and Tumble an album that is both tight and loose may be oxymoronic on its face, but it works here.  – BLUES ROCK REVIEW HERE


The BOBBY LEES “Skin Suit” OUT TODAY!

New album “Skin Suit” produced by Jon Spencer out today on VINYL, CD DIGIPAK and DIGITAL!

The Bobby Lees’ SKIN SUIT is oozing with sex, sweat, and joyful abandon. It’s a raucous ride from beginning to end. Cover to cover, this thing’s got you by the short hairs. – POPMATTERS

Quartin is the star and a light that you can’t seem to blink out, but the whole band is a well-oiled and furious blues-punk machine. – HIT MUSIC

The Bobby Lees are a rambunctious, sometimes ramshackle, reminder of what rock and roll is all about. PENNYBLACK MUSIC

The Bobby Lees are a very young band from Woodstock NY and they play the garage punk blues with real fire and wild animal energy like they can hardly stop themselves. – ECHOES AND DUST

How many bands have you heard lately that can get away with desecrating “I’m a Man” and sound credible? It’s all in Quartin’s leering vocal and Casa’s muscular guitar.I-94 BAR

Fronted by Sam Quartin, whose vocal charisma channels some of the preposterous intensity of the Alan Vega/Cave/Cramps lineage, the band’s second album is an explosion of intensity of high-concept, low-budget rock’n’roll. – UNCUT

The band show they’ve got the chops and the weirdness to refresh vintage rock, punk, and blues without the commercialism that has plagued other prominent garage bands of their generation. – CHICAGO READER