CLICK HERE FOR ALL FORMATS AVAILABLE – INCLUDING THE STARBURST LIMITED EDITION! Indiana’s trash-blues outfit is back with an album of high-energy R&B. “Claw Machine Wizard” is a return to the band’s two man format, and features corky barn burners like “Claw Machine Wizard” and “Booga Chaka”, alongside punked out blues numbers such as “Burn […]
The second album from GospelbeacH continues to deftly honor the grand tradition of West Coast rock and roll. This time around it’s more 70’s FM rock than 60’s AM gold, more cosmo than country with a theme of timeless love. Straightforward, inviting songwriting and singing by Brent Rademaker (a founding member of Beachwood Sparks). Warm […]
Left Lane Cruiser’s appeal is immediate, reaching into our deepest, most primal needs for music that moves both the feet and the soul. More fundamentally, the duo serves to remind us that their music is about that moment when bad times start to take a turn for the better. As Evans himself says, “Sometimes the […]
A psychedelic album cover evoking distant memories of incense-filled basement record stores is the first sign of things to come on Hairy Mountain. Then there’s that first earworm track with its heavy early-1970s guitar riff, overlaid with catchy 60s vocal harmonies. But it doesn’t stop there. The dual guitars of Datura4 punch out track after […]
COMING SOON : LEFT LANE CRUISER’S new album “Claw Machine Wizard” Indiana’s trash-blues outfit is back with an album of high-energy R&B. “Claw Machine Wizard” is a return to the band’s two man format, and features corky barn burners like “Claw Machine Wizard” and “Booga Chaka”, alongside punked out blues numbers such as “Burn Em […]
Holder is the kind of player that careens around the edges of his busted blues sound to the point of distinction. His quavering electric slide guitar work and forceful acoustic blues reverence both hit the proverbial mark and while there are sonic familiarities to past masters he plays outside of mere imitation. – Jeff Monk […]
Without throwing any accusations of “authenticity” around, it really seems like coming from the American South gives Green a more natural feel for R&B, gospel and the blues, allowing him to fold his pan-seared shout into the Makeshifters’ hard-rocking crash without having to scream to be heard. “I’ve got no one but myself to blame!” […]
The retro milieu in which Leg works is part of his swampy mystique, and it works to his advantage as his growling vocals and dazzling organ and electric piano work coalesce in thick slabs of analog glory. Again, this is part of what drew fans to him in the first place, but the new tones […]