
Nice review of GOSPELBEACH “Let It Burn” via ROLLING STONE (FR)



JAMES LEG VINYL BOX SET AVAILABLE HERE


A fine set of ‘70s-steeped, west coast country-rock with a warm sound combining jangly guitars, piano, organ, vintage synths, airy harmonies and wistful song hooks. – KEXP
The country-tinged California rockers share a hit of cosmic American music. – TINNITIST HERE

The song is a groovy nugget of throwback soulful rock and roll. Lindell showcases a voice that is completely original and well-suited to lead a band. – GLIDE MAGAZINE

INITIAL PRAISE FOR “LET IT BURN”:
There’s probably no sweeter SoCal sound circa 2019 than this band. – BLURT MAGAZINE
Its mood is a winning blend of downbeat and defiant, in a way a reflection or snapshot of modern America itself. – HARMONIC DISTORTION
This record’s a real peach of an album, but one that is tempered by the tragic loss of guitarist/ vocalist Neal Casal. – TERRASCOPE
Led by the indefatigable Brent Rademaker (Beachwood Sparks, the Tyde) the band’s sound on its third album is more or less a swirling stew of cosmic American country in the style of Gram Parsons, a kind of happy-go-lucky, Beach Boys-esque sunshiny pop and a rather careful Tom Petty and the Heartbreakers-influenced rock. – WINNIPEG FREE PRESS
The real success of GospelbeacH’s music is the effortless way that they combine different styles and influences within their classic Southern Californian sound. – FEAR AND LOATHING
The joy that emanates from each of these songs, is a beautiful thing to behold, and digs deep into the now quaint aspects of peace and love. For matters of the heart, smoke deep, dig it deep, and turn on. – ECHOES AND DUST
This album has layers. Taking Casal out of it for the moment, Rademaker and songwriting partner Trevor Beld-Jiminez have brought GospelbeacH to a unique place with this latest effort – all three studio releases have three dramatically different, but complementary soundscapes. “Pacific Surf Line” has a heavy Crosby/McGuinn/Hillman Laurel Canyon vibe, 2017’s “Another Summer of Love” brings out more of the Tom Petty influences, especially with the Benmont Tench-like wizardry of keyboardist Jonny Niemann, and “Let It Burn” is something else. It’s somewhere between Bob Dylan’s “Blood On The Tracks” and Tom Petty’s very underrated “Echo.” – TAHOE ON STAGE
“Let It Burn” is GospelbeacH’s exquisite follow up to “Another Summer Of Love” and the third proper studio album by the famous Los Angeles rock combo. The band’s prestigious collective resume includes members of Chris Robinson Brotherhood, Beachwood Sparks, Circles Around The Sun, The Tyde, and Hard Working Americans.



This album is a reminder of how great a guitarist Neal Casal was. Do yourself a favor when you listen to this album: turn up the volume, then just sit back and enjoy. – GLIDE MAGAZINE