A blues-based pavement-shredder that flexes significant muscle while nodding to forefathers like ZZ Top and John Lee Hooker and even Stevie Wonder.– GHETTOBLASTER
Great review of DATURA4 “West Coast Highway Cosmic” via AMERICAN BLUES SCENE
Listen to DATURA4 “Rule My World” via CLASSIC ROCK – Tracks of the Week
You might recognize Dom Mariani as the frontman of Aussie garage rockers The Stems, or 90s power-pop group DM3. Either way, he’s got form on the songwriting front, which translates beautifully into his new record with Datura4. This latest single – a filthy yet brightly melodic swirl of woozy 12-bar blues and stompy psychedelia – harks particularly strongly back to his bluesy, full-tilt boogie roots. – CLASSIC ROCK / LOUDER
DATURA4 “West Coast Highway Cosmic” featured by RTRFM (AU)
Nice review of JESPER LINDELL “Everyday Dreams” via ABUS DANGEREUX (FR)
Nice review of DATURA4 “West Coast Highway Cosmic” via HARMONIC DISTORTION
My listening album of choice this week has been the newie by Australian rockers Datura4. West Coast Highway Cosmic is a celebration of travel, rendered in old school boogie blues rock. The kind of album that sounds best when played loud (…) There are those that say rock is long dead. On the evidence here don’t believe it. – HARMONIC DISTORTION
Great review of DATURA4 “West Coast Highway Cosmic” via BLUES IN TOWN (NL)
★★★★ ½ 4 and half star (beers) review of The BOBBY LEES “Skin Suit” via I-94 BAR (AU)
How many bands have you heard lately that can get away with desecrating “I’m a Man” and sound credible? It’s all in Quartin’s leering vocal and Casa’s muscular guitar. – I-94 BAR HERE
DATURA4 “Mother Medusa” featured by KERRANG! – 5 Songs You Need To Hear Right Now (March 30, 2020)
You could say that Australian quartet Datura4 play highway rock, stoner metal, chill doom or downer chug, and you’d be right on all fronts, the band striking that perfect spot between overdriven and stripped down. Mother Medusa brings all sand-scattered windows-down attitude you could ask for, featuring an awesome central riff, some cardboard-ish opening toms, and a writhing harmonized solo in the middle that sounds like the hair of the song’s namesake. – KERRANG! HERE














