Mail-order CatalogueArtists Mark Porkchop Holder

Guitarist, singer, harmonica player, and songwriter MARK PORKCHOP HOLDER is a founding member of the seminal Tennessee punk rock blues band The Black Diamond Heavies (with John Wesley Myers aka James Leg, and Van Campbell of the band King Mud).

MARK PORKCHOP HOLDER plays the blues, and his music is the sound of the truth. He has traveled around the world and the US, and played at festivals, clubs, in the streets, at churches, in public toilets, army surplus stores, and in a mental hospital or two.  After more than a decade of struggling with depression and addiction, he has finally come back home, in Chattanooga TN, and assembled a first rate power trio.

His debut “Let It Slide” is a blistering blues album that marries both the modern and the traditional. “Let It Slide” has been described by the Chattanooga Pulse as “Boogie, sans bullshit. Dirty roadhouse music. Juke Joint jamming. Swamp rock. Too rock for blues, too blues for rock, the music is hungry, hard and mean."

Let It Slide marks the first time since his Black Diamond Heavies days that Holder has dedicated himself to the band format, after years of predominantly performing solo. He enlisted Chattanooga-area music scene veterans Travis Kilgore on bass and Doug Bales on drums, both of whom play on the record and have been touring with Holder.

Holder’s recent struggles provided fodder for one of the album’s strongest tracks, “Disappearing,” the lyrics of which Holder wrote on a napkin while he was in the hospital, gravely ill and longing for a visit from the woman he’d been seeing. The lyrics paint a haunting picture of a man at the end of his rope: “They say that all things must pass / Well I hope that it’s my time at last / Come and see me child, I’m fading fast / Disappearing, carry me away.” A propulsive drumbeat creates a sense of urgency, as does Holder’s guitar work, which features a lot of flat-fifths that heighten the sense of doom. – READ THE FEATURE HERE


There’s no arguing that this album is the work of a unique talent who is clearly not interested in making another by-the-numbers blues album. Holder and his band — bassist Travis Kilgore and drummer Doug Bales — hit with the impact of a rock band, and they’re full of dirty swagger, but Holder’s potent slide guitar work boasts the authority of vintage blues while following a melodic path that’s livelier and more adventurous than the usual set of 12-bar workouts. – Mark Deming / ALL MUSIC


In 2017, you’d be hard pressed to find someone bluesier than Mark Porkchop Holder. Known for his “anything goes” attitude toward gigs, as well as his gritty stylings, Holder has much reason to be singing the blues, with years of addiction and depression behind him. That said, Let It Slide has immersed as something of a catharsis; it is the sound of a changed man who is as true to his beloved musical influences as ever. – POPMATTERS


This kind of fiery swamp boogie is a perfect tonic for whatever ails you right now. – EYEPLUG MAGAZINE


Raw, stripped-down arrangements and deeply personal lyrics make Holder's music compelling listening. Let It Slide often feels less like a performance and more like a man exorcising personal demons. – LIVING BLUES


If the Rolling Stones camped with Howlin’ Wolf and Billy Gibbons on trucker speed for the weekend with a fuzz pedal, this would be its precious procreation. “My Black Name” is a charged up garage blues littered with succulent slide licks and tasty crunch, battling the demons that haunt a man’s reputation with war eyes and a big stick. – NO DEPRESSION


You have to try hard to come up with a variation on “Stagger Lee” that people haven’t heard. Porkchop and Co turn it into a primal stomp, with a massive bottom end and nasty, jagged guitars arguing over a mournful blues harp and with Hendrix singing. Heavy and crude, as opposed to most of the rest of the record and a tour de force. A Murderous Ballad indeed. – I94 BAR


It’s been a long time since we’ve heard boogie blues like this. – GLACIALLY MUSICAL


Known for his blistering guitar and raw power, “Disappearing” shows another side of Holder, a slinky, slick slide piece that proves the point that Holder can exercise restraint when it suits him. The result is a tune that—if the rest of his music is burning stage lights, hot vacuum tubes and sweat—is a cool breeze blowing over the audience. – CHATTANOOGA PULSE